On The O.C. (in observance of the fifth anniversary of the series finale)

photo: The WB

The final episode of The O.C., "The End's Not Near, It's Here," aired five years ago today on Feb. 22, 2007.


It's difficult for me to believe that it's been five years since I last hung out with Ryan, Seth, Summer, Sandy, Kirsten and Julie, but that's probably because I haven't spent the last five years without them. I have probably thought about them at one point or another every day since then. As weird/sad/awesome as it is to say, those characters and that show became a part of me.

So many moments from The O.C.'s run are iconic to me: from "Welcome to the O.C., bitch" and Ryan carrying Marissa after her overdose to Captain Oats and Chrismukkah to the New Year's Eve kiss and Seth and Ryan's horror at discovering Luke and Julie's affair. From Seth sailing away and Marissa's poolside freak out to Ryan chasing Marissa around with a giant penguin and Seth and Summer's Spider-Man kiss. The list goes on and on and features so many of my favorite moments ever on television.

I know The O.C. wasn't flawless. There were missteps: the Marissa-goes-to-public-school arc, many of the Sandy/Kirsten love triangle attempts, Sandy running the Newport Group... Season 3 was rough in general. And I will probably never agree that killing Marissa off was the right thing to do for the story. I'll readily admit that some of the other shows I've watched have more consistently maintained a higher level of quality than The O.C. did during its duration - Breaking Bad, Arrested Development, Community, Mad Men, and certain stretches of Lost, for example.

But, still, The O.C. remains my favorite of them all. Because when I define "favorite" as the show that has most infiltrated the various aspects of my life, The O.C. takes the title in a landslide. It has impacted the actors I like, the movies and TV shows I've watched, the music I listen to, the books I've read, the things I laugh at, the way I talk, and the way I think.


The O.C. premiered the summer before I started college and ended a couple of months after I graduated, and different moments from the show remain forever tied to different moments in my life. I remember watching the pilot in the summer of 2003 (coincidentally right before I took my own trip to Orange County) and being excited by the unexpected awesomeness the show offered. I remember being rendered so desperate by my lack of a working television during my first week of freshman year that I made a rare attempt at socializing with other people on my floor just so I'd have somewhere to watch The O.C. Just hearing the opening strains of "Honey and the Moon" sends me instantly back to my freshman dorm room, where I obsessively listened to The O.C. soundtrack while studying for finals. I remember my four different dorm rooms that I watched the show in, and I know which one I was in when Marissa shot Trey and where I was sitting when Marissa died. And I remember watching the finale five years ago and bawling like a little child during Ryan's flashbacks in the Cohen house (the image of Marissa standing on the curb while Ryan drives away gets me every freaking time).


I started this blog a couple of months after The O.C. concluded its run, so I don't have an blow-by-blow online account of my adoration for the show like I do for Greek and So You Think You Can Dance and others. But it's rather telling that in the past five years, after it's last episode had aired, I still managed to mention The O.C. and its characters in 86 posts on this blog. (This post makes number 87.)

The O.C.'s Season 1 finale was called "The Ties That Bind," and some pretty formidable ties continue to bind me to this show. So how will I observe this milestone? By watching the series finale. I think it will be the first time I've watched the entire episode since it aired five years ago, a fact that's especially surprising considering that I've probably watched many episodes of this show upwards of a dozen times. But I've never been really excited to watch the finale again, although I absolutely loved it. I think I just never wanted to remind myself that the show was actually gone. But on this anniversary I think I can handle watching the finale again, because after five years it's clear that The O.C. has become part of my identity and, to me, it will never truly be gone.

Updated--My Take On Emmy Nominations

Last week, I was kind enough to take a break from obsessively documenting the goings on of So You Think You Can Dance to compile a list of actors, presenters and shows who should have been nominated for Emmys. The official list of nominees was announced today, so let's see how well the people who pick the Emmy nominees did with following my directions...

Nominated:

Aaron Paul, Breaking Bad: Supporting Actor, Drama

Breaking Bad: Outstanding Drama Series

Bryan Cranston, Breaking Bad: Lead Actor, Drama

Christina Applegate, Samantha Who?: Lead Actress, Comedy

Jim Parsons, The Big Bang Theory: Lead Actor, Comedy

Lost: Outstanding Drama Series

Michael Emerson, Lost: Supporting Actor, Drama

Rose Byrne, Damages: Supporting Actress, Drama

Steve Carell, The Office: Lead Actor, Comedy

Undeniably screwed over:

Cat Deeley, So You Think You Can Dance

January Jones, Mad Men

Snubbed:

Adam Baldwin, Chuck

B.J. Novak, The Office

Chi McBride, Pushing Daisies

Chuck

Gabrielle Anwar, Burn Notice

James Roday, Psych

Jennifer Esposito, Samantha Who?

Lee Pace, Pushing Daisies

Pushing Daisies

Zachary Levi, Chuck

I guess 9 out of 21 isn't too bad, as far as the Emmy nominations go. I was so appalled by the snub of January Jones though that I've been a bit soured toward the whole process. I mean, come on, if I had to pick the three actors who most deserved Emmy recognition for this year of television, she would definitely have been on that list. I will admit to doing a little happy dance for Aaron Paul and Breaking Bad though. And Jim Parsons was so cute this morning during the announcement when he realized he was nominated.

(photos: fox.com; amctv.com)

My Take on Emmy Nominations: 2009

Emmy nominations will be announced next week, so I've compiled a list of actors, shows, and personalities that the Emmys would be remiss not to include.

(I have not broken them into categories because I'm often completely befuddled by who is deemed "supporting" and who is "lead" and what is a "comedy" and what is a "drama" and I'm trying to avoid that headache.)

Aaron Paul, Breaking Bad: Paul has been flawless at handling everything Breaking Bad has thrown at him. He's been brilliant at comic relief and gut-wrenching with dramatic material. In fact, there's no one I want to see on the Emmy nomination list more.

Adam Baldwin, Chuck: Baldwin is perfect as the gruff Major Casey, giving us little glimpses into the character's humanity but never becoming too much of a softy.

B.J. Novak, The Office: He's just so good at playing such a cocky little jerk (while never losing sight of Ryan's inherent patheticness).

Breaking Bad: I've documented my love for this show before, so should come as no surprise that I'm pegging it not only for a Best Drama nomination, but also for the freaking Emmy itself.

Bryan Cranston, Breaking Bad: There's a reason he won the Emmy last year, and Cranston continued to excel this season as Walter's morality became even more nuanced.

Cat Deeley, So You Think You Can Dance: Deeley is easily the best reality competition show host around as anyone knows who has watched her interact with contestants, the judges and the audience. And she's a fashion icon to boot. It's insulting that she wasn't nominated last year.

Chi McBride, Pushing Daisies: If McBride's surly and sassy (but secretly sweet) private investigator isn't on the list of Emmy nominations, I'm going to pull an Emerson Cod and yell, "Oh, HELL no!"

Christina Applegate, Samantha Who?: Applegate was effortlessly charismatic and hilarious as the lovable amnesiac, and it's a bummer that ABC didn't give her more support.

Chuck: The top-notch quality of the show's sophomore season cannot be ignored. With the possible exception of those episodes with that annoying MI-6 spy who kept getting shot, Chuck was firing on all cylinders this season and capped it all off with a season finale that was easily one of the best hours of television all season.

Gabrielle Anwar, Burn Notice: I realize that Burn Notice is one of those quasi-comedy, quasi-drama type shows that people enjoy watching but the Emmys tend to completely ignore (while being all over stuff that nobody is enjoying anymore like Boston Legal), but nevertheless I think Anwar deserves a nod. You'd be hard pressed to fine anyone on TV who is cooler than Anwar's Fiona, and that's got to count for something.

James Roday, Psych: Roday's been overlooked in the past, but as Shawn, a fast-talking, pop culture-obsessed genius, he has proven time and again that he's got serious acting chops.

January Jones, Mad Men: Jones absolutely stole the show's second season with her depiction of cold-hearted Betty Draper. Jones was masterful at giving us glimpses of the fragile girl behind her character's ice queen facade.

Jennifer Esposito, Samantha Who?: Esposito's Andrea is horrendous, but she's also wickedly funny.

Jim Parsons, The Big Bang Theory: Everyone on this show is funny, but Parsons is consistantly hilarious as Sheldon's scientific, antisocial temperament gets pushed to the limit by his friends and surroundings.

Lee Pace, Pushing Daisies: Pace's turn as the sweet and funny Piemaker ended far too soon, but it was beautiful to watch while it lasted.

Lost: Overall, I probably liked Lost's fourth season better than its fifth season, but this show was undeniable as it ratcheted up the suspense and the stakes ever-higher to lead into its final season.

Pushing Daisies: Sure, the second season was ridiculously abridged, but it was also ridiculously good.

Rose Byrne, Damages: Supporting/lead/whatever, Byrne really held her own during Damages' second season, as her Ellen Parsons went toe-to-toe with Glenn Close's Patty Hewes and didn't back down.

Steve Carell, The Office: I adored the high jinks of the Michael Scott Paper Company, and Carell shone throughout, especially in the conference room scene where he masterfully cut David Wallace down to size.

Terry O'Quinn, Michael Emerson, Ken Leung and Jeremy Davies, Lost: Since so many supporting actors had very strong showings on Lost this season, the Emmy list could very well include any or all of them.

Zachary Levi, Chuck: Perfectly balanced Chuck's humor with his humanity, adding a lot of soul to a very fun show.

(photos: amctv.com, abc.com, usanetwork.com, cbs.com)

Breaking Bad: Horrific Prefection

Breaking Bad:
"ABQ"

OMFG, Breaking Bad's season 2 finale was phenomenal. The second-to-last episode ended with Walt's horrifying decision to not help Jane as she choked to death in her sleep, and the season finale kept the WTF moments coming. The shockers were relentless: from Gus touring the police station to Skyler catching Walt in his lies and kicking him out to the terrifying revelation that the now infamous pink teddy bear fell from the sky after an airplane collision that was caused (albeit inadvertently) by Walt's actions.

Breaking Bad has always lived in the world of moral grayness and ambiguity. With this finale, however, the show moved further into the dark end of the morality spectrum than it ever has before. The show has extensively explored the dangerous nature of drug dealing for the novice dealers, but in our eagerness to see Walt and Jesse succeed and make boatloads of money, we sometimes lose sight of how destructive the drugs they are selling can be. Example A: Jane, who all in all seemed like a sweet girl and was dearly loved by her father and Jesse (and had a tremendously awesome mural on her bedroom wall), dies from choking on her own vomit after a drug binge. Her death leaves Jesse, one of our heroes (or anti-heroes), completely devastated and also leads to Example B: Jane's grief-stricken father, an air traffic controller, is driven to such distraction that he fails to prevent a collision between two airplanes above Albuquerque.

Wow, that plane crash. The source of the teddy bear, the glasses, the wallet and the other debris littering Walt's back and front yards. And the cause of probably upwards of a hundred deaths of innocent people (including the child owner of the pink bear). How can we justify what Walt has done in the face of all this destruction? What started out as a dying man willing to do anything to provide for his family has resulted in a series of progressively horrible events. Walt is already racked with guilt--imagine how he will feel when he finds out about what caused the plane crash. Even aside from all of the collateral damage, has any of this worked out for Walt at all? He beat cancer (for now anyway), but he lost his family anyway.

It's all so bleak. The one heartening moment in the finale came when Walt hunted Jesse down and went into the crack den (is that what that freaky place was?) to save him. Jesse's raw grief was devastating, and it was nice to see Walt vow to help him. If nothing else good has come from any of this, at least these two men have formed an indelible bond.

The up-shot of it all: Breaking Bad should win the Emmy for Best Drama Series. I've watched Mad Men, Lost, Damages, and a myriad of other shows, and nothing has been as consistently stellar this season as Breaking Bad. Additionally, Bryan Cranston has made an extremely strong case for repeating his Best Actor win, and if Aaron Paul's brilliant work is not recognized with at least a Best Supporting Actor nomination, I may cry.

I, for one, am fascinated to see what season 3 will bring. Will a post-rehab Jesse still want to be involved in the drug trade after drugs led to the death of his girlfriend? Will Skyler find out the truth and how will she react? How will Walt come to terms with the fact that his quest for financial security has led to the deaths of so many people? Is there any redemption at all to be had here, or must we now just embrace the dark side?

(photo: amctv.com)

Glee: A Joyful Noise

Glee:

"Pilot"

Glee, a new show that is on FOX's fall schedule, debuted its pilot episode this spring to give everyone a sneak peak. After seeing many raves from critics, I decided to give the show a look. I thought the pilot was pretty good, though I'm not sure that I was as infatuated as many of the critics seemed to be. The show does display a good deal of promise, and I'll definitely watch future episodes.

Ok, I'll admit it, the real reason I watched Glee was to see Charlie from Kyle XY acting like a half-decent person. Boy, is he cute when he's not cheating on Amanda with girls who put out...

The aspect of Glee that I liked best was its witty banter (examples of which are coming up in the highlight list). The aspect I liked least about Glee was its harping on the importance of living your life passionately and following your dreams--a moral that was not-so-subtly reinforced with the big "Don't Stop Believing" production number. (As far as I'm concerned, bring on more irreverent selections like "Rehab" and fewer earnest ones like "Don't Stop Believing" and "You're the One that I Want.") The didactic nature of it all was getting kinda old.

My suggestion for future episodes would be that they make sure that the other members of the glee club are featured more in the musical numbers. The more Finn/Rachel duets we watch, the more Glee starts looking like High School Musical. And that's not quite the goal the show should be aiming for.

Highlights and my observations:

• Aww, they threw the kid with the jacket from the newest Marc Jacobs collection in the trash. That's not cool.
• Hey, look, it's Elle's dad from Heroes. He's so much better in this. (Big shocker there.)
• Will's wife won't let him have $60 a month? Who is she, Kate Gosselin? (Sorry, couldn't help that one.)
• I love this "Mr. Cellophane" kid (Kurt).
• They do have kids with some serious pipes at this school. It shouldn't be too hard to revive glee club.
• Lol, about Rachel "not knowing" which of her two gay dads is her biological father.
• Oh, ok, they just have these five kids. The choreography's not quite there, but at least they sound good. Why does glee club even need choreo anyway?
• Rachel: "Mr. Schuester, do you have any idea how ridiculous it is to give the lead solo in 'Sit Down, You're Rocking the Boat' to a boy in a wheelchair?"
• Principal Figgins: "What is it with you and this club? You've got only five kids, and one of them's a cripple!"
• Ohh, who is this lady playing Schuester's wife? She looks familiar. Ok, I looked it up and she was on Heroes (playing Claire' biological mother), so that would explain the animosity that I instantly felt towards her.
• Mrs. Schuester: "But, Will, I'm on my feet four hours a day, three times a week here!"
• Sandy: "It wasn't easy though, being dismissed--and for what I was accused of! My long distance girlfriend in Cleveland nearly broke up with me. ...Oh, God, don't you love a good monkey?"
• Lol, drug-dealing Sandy is taking a page out of Walter White's playbook.
• Sue (cheerleading coach): "High school is a caste system. Kids fall into certain slots. Your jocks, your popular kids: penthouse. The invisibles and the kids who play live action druids and trolls out in the forest: bottom floor."
  Will: "And where to the glee kids fall?"
  Sue: "Sub-basement."
• Ken (football coach): "I can't see any of my guys joining glee club. Last month, they held down one of their teammates and shaved off his eyebrows, just because he watches Grey's Anatomy."
• The football players signed up someone named "Butt Lunch" on the glee club sign-up sheet.
• Will: "You'll get kicked out of school. You'll lose your football scholarship."

  Finn: "Wait, I have a football scholarship? To where?"
• Aww, poor Finn. Framed and backmailed into joining the glee club.
• Why did Will marry this woman? I am at a complete loss.
• Ah, so he was the high school "golden boy" and she was head cheerleader. Even so, that is no explanation/excuse for marrying this psycho woman.
• Finn lying to his teammate, saying that his mom had prostate surgery.
• I love the other school's glee club singing "Rehab." They're not doing a great job of lip-syncing though.
• Whoa, Finn's one teammate (the one who looked up that chicks don't have prostates) looks like he's at least 30. Or 40...
• Um, is crazy wife really pregnant or is this just her way to get him to quit the teaching job?
• Kurt: "You nailed all my lawn furniture to my roof."
• Rachel didn't out do herself with this choreography. It frankly looks like there's no choreo going on at all.
• I think they're going to need to better utilize the four other members of this group if they're going to win Nationals.
• The previews for the episodes coming up in the fall made them look better than this pilot.

(photo: FOX.com)

Gossip Girl: Lily of the Valley & Prom Queen B

Gossip Girl:

"Valley Girls"

A couple days before the well-hyped Lily (Rhodes) van der Woodsen (Bass) flashback backdoor pilot aired, rumors swirled that The CW isn't planning on putting the Lily spin-off on its fall schedule after all, and will instead opt to pick up Beautiful Life (featuring The O.C.'s Mischa Barton), the Melrose Place update (because why come up with a new idea when you can remake an old one?) and Vampire Diaries (to capitalize on the Twilight hysteria) and to renew Privileged (which, ironically, is one the only shows I've ever watched that I've actually called on the network to cancel). After watching Lily's flashback take over this episode of Gossip Girl, I can say that--if the rumors are true--not picking up the Lily spin-off is one of the few programming decisions The CW has made that I agree with.

I once wondered if Josh Schwartz could ever create a show that I wouldn't like, and now we have our answer. The Lily '80s flashback was just painful. It lacked the wit and charisma that a Josh Schwartz show typically thrives on. The characters (even the ones we already knew) were underdeveloped and stereotypical. The dialogue was unnatural and sometimes just bizarre. The whole thing was boring. And Lily was possibly even more annoying as a teenager than she is now (and that is a major feat).

Oh, and you know the flashback was bad if I'm trashing it even though it included several cast members whom I already love or at least like: Ryan Hansen (my beloved Dick Casablancas from Veronica Mars), Krysten Ritter (a veteran of Gilmore Girls and Veronica Mars, who is currently so much better in Breaking Bad), Andrew McCarthy (who will always be Larry from Weekend at Bernie's to me), and Cynthia Watros from Lost.

But the worst part of the whole Lily flashback was that it stole precious screen time from the Gossip Girl characters that we love! (Except for Vanessa--Lily can have all of Vanessa's screentime as far as I'm concerned.) Even though the Gossip Girlers were just navigating the world of prom, which was certainly not earth-shattering by any means, I just wanted to watch them!

Highlights, lowlights and quotes:

• Blair: "Serena's been in jail for 4 hours! That's longer than Nicole Richie and Lindsay Lohan combined!"
• Chuck: "Please, she's a socialite accused of stealing a bracelet. I doubt they're working her over with a phone book."
• Rufus still sucks. He tells Dan and Jenny that one of their best friends was just arrested at the behest of her mother, and when they ask for more information, he just yells at them to not get involved. That's helpful.
• Lily's parents had a tumultuous divorce? Then why did Cece still have her husband's suits in her house at the Hamptons? (Remember, Dan had to borrow Serena's grandpa's jacket to go to the White Party.)
• Lily's dad: "Punishing loved ones just comes much easier to some people."
• We've established that in Margaret Colin and John Shea, Blair has the coolest parents ever. Lily has some cool ones too: Larry from Weekend at Bernie's and Libby from Lost. Except Lily's parents are both acting like jerks. Not that I feel too badly for her; she was just as annoying in the '80s as she is now.
• It's only happened twice, but I'm already sick of transitioning in and out from the flashbacks. The stupid, reflective look on Lily's face as she reminisces makes me gag.
• Ha ha, Blair's looking at the scrapbook (that she supposedly hasn't looked at since she was a child).
• Blair: "Just like my scrapbook I don't remember keeping and haven't looked at since I was an early adolescent!"
• Ha ha, is Chuck sabotaging Nate and Blair's dream prom? Because that's funny.
• Lily thinks Cece's toxic? Cece? Cece's probably the least toxic woman in this whole family.
• Limited editions of the Gossip Girl books are on sale that come with posters of the cast! Wow, I'm actually kind of excited about that; what am I, 12-years-old?
• Wow, young Lily, that was an overreaction (in the immortal words of Andy Bernard)! She didn't have to yell at the kid just for bumping into her.
• My sister: "This waiter dude is trying really hard to be Ryan Lafferty."
• Dan: "I'm sorry to bother you, but I can't leave Serena one more message and still call myself a man."
• Ahh! Scary! Poor Little J was just hanging out in her room when all of a sudden the garage door wall is thrown open by Dan, who is wearing only a t-shirt and purple boxers! Which is especially odd, because in the scene immediately proceeding that one, he was fully clothed while talking to Lily on the phone. So, he apparently stripped down to go talk to his little sister. Weirdo!
• Dan: "Hey, I think I need a dress for prom."
  Jenny: "Ok, but you're going to have to wear your own shoes."
• Good Lord, young Lily is annoying! "You're totally falling in love with me right now." SHUT UP! Trust me, no one is falling in love with you! Only Rufus is stupid enough to do that, and he doesn't come along for a couple more years.
• Oh, thank God, it's Ryan Hansen (who is rocking quite the hairdo)! He's about the only one who can save this horrendous flashback, but it's a tall order.
• Blair: "I've always tried to make my life resemble the movie in my head, and tonight no effort required!"
• Blair: "We don't do prom queen. That's for suburban schools and the lame teen comedies that are set at them."
• Serena's white nail polish really held up in prison! It still looks flawless.
• Can we see a flashback into Eleanor's past now? Because I guarantee it would be a hell of a lot more interesting than this.
• Kind of cliche '80s music they're using here. It's not bad; it's just exactly what everyone would think of when they think '80s music: "I Melt With You," "The Safety Dance," etc.
• Blair: "Well, I just spent 10 seconds talking to you, so consider yourself repaid."
• Is that dress supposed to be Jenny's? Because that might explain why Serena's boobs are popping out of it, but I'm not really sure her boobs would have ever fit in Jenny's dress in the first place. That really is just supposed to be one of Jenny's dresses--Little J didn't just sew that one up in a half hour, right? Because not even Jenny can sew that fast.
• Wow, everyone else must have gotten tired of Lily's "remembering face" too, because now they're not using any kind of transitions from past to present at all.
• Hey, shocker, the young Mr. van der Woodsen is a jerk.
• The part where Owen throws Lily's "Your falling in love with me," line back at her would have been funny if the whole thing (namely the acting in this scene) wasn't so painful.
• Eew, Carol slept with Lily's future husband? Yuck.
• Can we please get back to Blair and Chuck's scintillating conversation about the prom queen?
• Nice punch, Ryan Hansen! He learned that move during the battles between Logan's rich kids and Weevil's motorcycle gang in Veronica Mars season 2.
• Blair: "This is my moment! I own prom!"
• Dan: "Who even voted for her?"

  Chuck: "Me. About 150 times."
• Oh. My. God. Chuck's "sabotage" turned out to be him ensuring that Blair's prom night was perfect and just like her scrapbook. Awwwwwwwwwwwwww, Chuck!!!
• Cece would rather have twenty Dan Humphreys from Brooklyn than that one stupid guy from the Valley? I mean, that dude was no prize, but Dan can be all kinds of annoying at times. I can only imagine how grating twenty Dans would be.
• Ugh, I can't even listen to Lily and Cece have this fight. It's too boring.
• Nate is awfully complacent. Blair wants him: he's ok with that. Blair doesn't want him: he's ok with that too apparently.
• Blair: "Your quasi half-brother slash ex-boyfriend was your date."
• Serena: "We went through it together. We raised each other. You're my sister."
• The "we raised each other" sentiment is sweet, but it's also extremely true and explains a lot about B and S.
• BTW, while she's "raising" Blair, couldn't Serena mention that Chuck told her he loves Blair and that he went to extremely lengths to give her a perfect prom night?
• Next week: Blair says to Chuck--for the hundredth time--"Tell me you love me," and, darn it, if he doesn't just say it this time, I'm going to eat my right hand! Lol. Maybe not. But I will be severely angered.
• I do wonder what is happening with Georgie and Poppy.
• Let's hope that this year's GG finale is a little less manic and whip-lash inducing than last season's finale. Pick your story lines wisely and let them breathe a little, GG.

(photo: cwtv.com; I am refusing to post a photo from the flashback out of principle.)

Greek: Avoidance

Greek: "Evasive Actions"

Last Monday, in my excitement over Chuck's epic season 2 finale and Chuck and Blair holding hands, I totally forgot to tape Greek to watch later. So I had to resort to watching it online on the ABCFamily video player and, boy, was that a battle. The picture was all jumpy and not synced with the audio. The nuances of the dodgeball battle were completely lost in translation. The dialogue came through clearly, however, so I was still able to compile my list of funny quotations:

• Andy: "Meet Queen Elizabeth and Queen Latifah!"
• Beav: "Man, science sounds hard. And kinda dirty!"
• Dale's making a valance for the window!
• Cal: "Well, it's been great hanging out with you two in the '50s..."
• Ha ha, the building manager still has the hots for Dale! And, like Rusty, I think it's hilarious.
• Wow, that's one humongous stuffed cat...
• Well, at least no one's under any illusions about the Evan/Frannie relationship anymore.
• Dale: "I DVR The View all week so I can watch them all back-to-back. I just love it when Hasselbeck serves them supper."
• Rusty: "When did you last go outside? Besides just for classes?"
  Dale: "Couple of weeks ago. I think it was raining. Maybe I watched a movie where it rained? I don't know..."
• Casey and Ash doing an air-kiss goodbye to make fun of Frannie.
• Max!
• Max: "Whoever says the U.S. doesn't torture hasn't graded 80 papers on cement elasticity."
• No, Ashleigh, "make over" is not the solution here.
• Evan: "Oh, come on, that was a joke! I misread my audience."
• It seems like everyone needs more friends: Dale, Max, Evan, Jordan.
• Max: "Rusty's concerned that you never leave the apartment. Are you avoiding something out there?"
  Dale: "Yeah, vegans and Coldplay fans."
• Max: "I think it's time to get passive-aggressive."
• Ash: "We go around in a circle and tell our most embarrassing moment."

  ZBZ girl: "Ashleigh, how will you choose?"
• Frannie: "You're such a creature of habit."

  Casey: "And you're such a creature!"
• Casey: "For your information, she's not drunk--she just athletic."
• Cyber church. Lol. That's great.
• Rusty loves Thelma and Louise.
• Ha ha, the KT's are loving Dale. He's making them nachos, pigs in a blanket, cookies... And they've been there for 12 hours!
• Dale telling Casey they should work together and trying to hold her hand.
• I find Dale intoxicating too. Ha ha.
• Why do Dale and Rusty have to switch apartments? Can't they just clean the place up and continue on as usual?
• Frannie: "I love this. I finally get to throw things at you without looking like a bad person."
• Hey, Casey and Max still do associate with each other occasionally! Who knew?
• Where's Rebecca? I bet that girl can throw hard. (Due to the poor quality of the video player, I'm honestly not sure if Rebecca was in that scene, but I didn't see her.)
• Oh no! Is Frannie's going to go after Max now? Nooooo. I do not like that look she was giving Casey and Max. After her scene with Evan, however, maybe the point of her staring at Casey and Max was not so much, "Hey, I'm going to go try to steal Max from Casey too!" but rather, "Hey, so that's what it looks like when your boyfriend actually likes you. Seems nice."
• I'm also not sure how I feel about this Dale and Sheila-the-building-manager thing. Between this and Krystin Ritter's character on Breaking Bad, it seems like a lot of building managers are getting a little too friendly with their tenants lately. I'm all for Dale getting a girl, but I'd feel better about it if she were a little closer to his age. Oh well, we'll see what happens.

Breaking Bad: Ding Ding!

Breaking Bad:

"Grilled"

Another great episode:

• I love the landscape shots on this show. Everything always looks so desolate.
• So what makes a car bounce up and down like that? (Oh, ok, Jesse installed something that makes it bounce... Can you tell my knowledge of lowriders is virtually nonexistent?)
• Wow, it could be convenient if they could stick Krazy 8's death on Tuco.
• The more I hear from Hank in his work settings, the less I like him... Oh, but that was funny that he had everyone yelling that they'd find Tuco and then immediately upon leaving the room said "We're not going to find him."
• Has Skyler found the money and the gun in the diaper box yet?
• Aw, poor Skyler. She's handling this so well.
• It's kind of impressive that Walt and Jesse were both in Jesse's trunk and they didn't seem particularly cramped in there.
• I am amazed that Jesse's arm is not fractured after Tuco slammed the trunk on it and then threw him to the ground.
• At least the annoying sister (Marie) is helping to hand out the missing fliers.
• Marie's really bringing up the tiara incident now?! Oy vey.
• Tuco's uncle doesn't mind that his son brings people over who he intends to kill? (I guess the old guy is not that with it.)
• Tuco is so far off his rocker it's not even funny. Eek.
• Tuco doesn't know that Gonzo's dead!
• Portraying Tuco looks like a strenuous task. Wow. So much yelling! Raymond Cruz is doing a nice job.
• Jesse: "So you plan to ice Gonzo, like future tense?"
• Oh my gosh--Tuco's going right for the ricin! Walt and Jesse's blank facial expressions when he picked up the packet were fantastic.
• Oh, Jesse, I think Tuco's already been flying high for days.
• Jesse, you're over selling it!
• Marie: "Actually, I think the very fact that they haven't found him bodes well. I mean, if he you know... somebody would have smelled something by now."
• Marie: "How do you know? You didn't even know he had a second cell phone."
• This degenerate does snort everything within his reach.
• Walt: "Crack him over the head with something?" as he holds up the flyswatter.
• Jesse: "Well, he don't much like the taste of chili P. That much has been established."
• Oh my gosh, Tuco's uncle is totally still cognizant! He knows they are trying to poison Tuco. At least Tuco is totally not taking the hint.
• Oh my freaking heck! Tuco is machine gunning a cow!
• Is the uncle tapping out Morse code with the bell? I don't think so. I find it hard to believe that Tuco would know Morse code. Ok, it seems to be a much more simple one ding for yes, two for no. But, Tucco, if he can only answer your questions with yes or no, you need to ask him yes or no questions! What's he supposed to do with all these open-ended questions you're asking?
• Oh no! Poor Jesse!
• Fight, Jesse, fight! Wow, grabbing the gun out of Tuco's belt and shooting him with it was a very nice move!
• I cannot believe Walt left the machine gun in the car! He always leaves the guns behind.
• Nice shot, Hank.
• Phew! Well, at least Walt and Jesse are done with Tuco now. Unfortunately, they're also stranded in the middle of the desert, and the DEA knows that Jesse's car was at Tuco's hideout...
• I'm still missing the point of the creepy pink stuffed bear from last episode's opening scene. I guess I'll have to wait and see. (I was thinking it might have been left over from last season's baby shower, but it doesn't seem like it. It has to have something to do with the baby daughter though, right?)

(photo: amctv.com)

Breaking Bad: Meth Madness

Breaking Bad:

"Seven Thirty-Seven"

Yea! I'm glad this show is back; it's so flipping awesome. I watched and loved it last year (but never got around to blogging about it for some reason). Bryan Cranston winning the Best Actor in a Drama category at the Emmys was definitely one of the highlights of the awards ceremony for me (the others being Zeljko Ivanek winning Best Supporting Actor for Damages and Mad Men taking Best Drama. I also think that Aaron Paul deserved a nomination.). Geez, cable dramas are good.

In fact, I wonder if Breaking Bad isn't overall the best show on television (Steven King thinks it is). It certainly has got to be in the top five. It's amazing how quickly it can go from being completely devastating one second to absolutely hilarious the next and then right back to devastating. I mean, this show is grim. There's no way to deny that, but it also includes these moments of comic genius that break the tension for one quick beat. One I remember in particular was when Walt told Jesse that they'd need an eye-wash station in the RV where they were going to cook meth. I mean, does it get more high school chemistry teacher than that? It's these moments of unexpected, dark humor that keep us viewers from exploding from the stress or running screaming from the room.

This particular episode, however, was more terrifying that humorous (although that "rice 'n beans" joke was hysterical). Like seriously terrifying. As in, I'm a little scared to go to bed tonight, and Tuco doesn't know what I live. And that stuffed bear is going to haunt me. Holy crap.

Highlights and observations:

• Oh my gosh. That is easily the creepiest looking stuffed animal I have ever scene. That thing is terrifying.
• Oh, yeah, I forgot about the blue meth. (Wait, of course I forgot about it--this show hasn't been on for a freaking year.)
• After an impressive display of mental math, Walt figures out that he needs to leave his family $737,000 to take care of their major future needs. That amounts to eleven more weeks of cooking meth and eleven more drug deals with Tuco, which Walt decides is "definitely doable."
• One minute later, Tuco comes back because the guy he just beat up is now dead. He expects Walt to fix it, but come on: he's a science teacher, not a doctor! This is one crazy-ass drug deal. Tuco is beyond nuts. Eleven more drug deals with Tuco is suddenly not seeming "doable" at all.
• I like their green nursery.
• Well, I can understand why Jesse might think that he needs a gun to make it through 11 more Tuco deals, but I don't think it's going to help.
• Walt: "This is conjecture."
• Jesse: "Are you basing that on that he's got like a normal healthy brain or something?"
• Wow, Walt and Jesse have gotten themselves into several "him or us" scenarios in a pretty short amount of time.
• How much Splenda can Marie drink in her coffee? And, holy crap, she just ran over the poor kid's remote control car! She is hanging on by a thread.
• Hank: "Try rolling it, morons! It's a barrel! It rolls!"
• Holy effing heck, that's Tuco's car at Walt's house!
• Ha! Skyler hung up on her sister! (I can't say that I blame her.)
• Jesse: "Don't we, like, double our chances...mathematically?"
• Walt: "I have a better idea: beans. Caster beans. ...We're going to process them into ricin."
  Jesse: "Rice 'n beans."
• Ohhhh, I forgot about the tiara incident.
• Maybe Hank will look the other way if he finds out about Walt's drug dealing since he looks the other way on his wife's shoplifting.
• Hank: "We've got to be understanding. We've got to support the shit out of her."
• I think Jesse is too involved with this ricin making. I wouldn't really trust that job to him.
• Walt: "How much salesmanship to we really need? That degenerate snorts anything he gets his hands on."
• Oh my gosh--I thought Hank blew up Walt's house or something since he called with the flashing police lights behind him. I totally fell for that fake out.
• Ack! Tuco killed the big guy (Gonzo) too?
• Who takes a picture of two murder victims and sends it to his brother-in-law?
• Lock the door after you enter the house, Walt!
• Don't leave the money and the gun on the floor of the nursery in a diaper box!
• Wow, Hank and the other police people are jerks! Taking pictures with themselves and dead people? Ugh.
• OMFG. Tuco's in the back seat of Jesse's car! AHHHHHHHHHH--and that's the end of the episode! Since I'm watching this a couple weeks late, I do already have the next episode on tape and I want to watch it, but I don't think I'd be able to handle another hour of this right now. I think I'd better give myself some time to recover. I hope Walt and Jesse will be ok. Especially Jesse--I love that kid.
• So what the hell was up with that pink stuffed bear, anyway?

(photo: amctv.com)