Burn Notice: Back in Miami

Burn Notice: "Breaking and Entering"

Yea, Burn Notice is back! It's nice to reclaim at least some of the glory that was last summer's television. Let's just see if I can remember anything that was going on...

The best part about Burn Notice is the characters. Michael, Fiona, and Sam are all extremely likable, and Michael and Fee are so cool that it almost hurts. The second best part about Burn Notice is that it's so freaking fun. It's like Alias before we had to worry about prophecies and entire cities blowing up.

Not that Burn Notice doesn't have it's share of high stakes. After all, Michael is being coerced into working for the people who "burned" him (for some unknown reason) and who do not seem like the nicest bunch of folks you'll ever want to meet. The lady on the phone is all kinds of annoying with her threats, but at least by the end of the episode we got to put a face to her voice. It wasn't a big surprise that the seemingly-random "firecracker" at the bar turned out to be the mystery lady, but it was still entertaining.

Highlights:

• It's nice to see Fiona again since seeing the actress who plays her (Gabrielle Anwar) in The Tudors playing Henry's sister (who ended up being kind of pathetic, which is something Fiona will never be).
• Michael (on airbags): "Gone are the days when you could run through a line of trees without getting a face full of nylon."
• Back to Miami already...Michael had barely left.
• Poor Jimmy. He has quite an unfortunate tale.
• Sam trying to fit into Michael's shirt.
• Ha, nice accent!
• The scene where Mike and Fee were shooting at each other and trying to miss was pretty awesome.
• The Psych commercial of Gus and Shawn singing "Ebony and Ivory" is hilarious.
• Spies have such extensive experience in the strangest stuff (cutting through a floor, for example).
• Michael laughing when Jimmy tells the security guy to take off his jacket and pants.
• Jimmy giving Michael his car as a thank you.
• Ahh, the obligatory beginning-of-season-two break up. This is television; we can't have the couple be together, now can we?

I'm glad to have this show back. Now if only Damages had returned too...

Pilot Watch '07: Pushing Daisies

Basically everyone in the world who has seen an advanced screener of Pushing Daisies has been extolling its virtues as loudly as they can for months. Thus, my expectations for this pilot probably couldn't have been any higher. Fortunately, "Pie Lette" (how cute is that name?) every bit lived up to the hype.

Pushing Daisies was charming almost beyond belief. The storybook feel seemed very unique. The characters were quirky and likable (not just quirky). The story and plot devices were inventive. The dialogue was snappy and wittier than I was expecting. The cinematic value was top-notch, with gorgeous, vibrant colors and a dream-like quality. The whole thing was as sweet as the pies they sell at the Pie Hole.

Pushing Daisies reminded me a lot of a Tim Burton film. It seemed very much along the lines of Edward Scissorhands and Charlie and the Chocolate Factory: strange but unexpectedly touching. It's a formula that I warmly welcome to television.

If I had to make one complaint, it would be that the narrated back story seemed to last a while and it might have taken them just a bit too long to get Lee Pace on the screen. But once he appeared, the show was good to go.

Something about Ned and Chuck reminded me of Ed and Carol from Ed. I guess the actors look vaguely similar (in their faces), but I think it was more the purity of the love story. Ned remembering his time with young Chuck was a lot like Ed remembering the time he first saw Carol and she took his breath away.

I also really enjoyed Chi McBride in this episode. The Emerson/Ned banter reminded me of Shawn and Gus from Psych. Emerson and Ned made Pushing Daisies much funnier that I was anticipating.

Other thoughts:

• The dog looked pretty good for having been run over by a tractor trailer. And I do find it unrealistic that Ned managed to keep his dog for 20 years without ever touching it, even by accident.
• Gotta love a show that uses pretty language like, "Chuck came ready-made from the Play Doh Fun Factory of life."
• Ned's accidental responsibility for Chuck's dad's death is reminiscent of Lana Lang's parents being killed in the meteor shower that brought Clark Kent to earth on Smallville.
• What did people make of two seemingly healthy neighbors just keeling over and dying on the exact same day?
• I really, really want Cantaloupe the Chow! Cantaloupe is an adorable name for a dog. It's right up there with Saffron from Damages.
• Logistical questions: Does just one person die for everyone who stays alive or do more people keep dying? And assuming Ned brings them back to life and never touches them again, do the "alive again" people live indefinitely or could they die again?
• For some reason, I really love the name "Boutique Travel Travel Boutique."
• Ned: "I hate to be a bad host, but I'm kind of exhausted from chasing your coffin..."
• Chuck's last name is Charles! Perhaps we're related :-)
• Ned: "It was most definitely on the menu; it was the Special of the Day--can we drop this metaphor?"
• Emerson: "We all have childhood issues--I've got the full subscription."
• Emerson: "Bitch! I was in proximity!" (I was also afraid that keeping Chuck alive would have caused Emerson to die, so thankfully that was not the case.)
• I haven't heard "petard" used since Ed.
• This pilot was showed in the opposite manner of "limited commercial interruptions." It seemed like there was a commercial break every 4 minutes.
• Chuck's aunt: "I can hold my breath for a long time." He he, she was a synchronized swimmer after all.
• Morgue guy: "Aren't you the dog expert?"

Basically flawless.

Premiere Rating: 9.5 / 10
(I deducted 0.5 just because I'm sure there could have been something that would have made me love the episode even more...like a guest appearance by James McAvoy or something.)

Best TV of Summer 2007

Well, quite honestly, I didn't do much of value this summer. I did, however, watch an awful lot of television, so I figure I might as well handicap it down to a nice little "Best Of" list. Here goes:

Best Reality Show:
So You Think You Can Dance -- For the second straight summer, I've been captivated by this show's great dancers with fun personalities who hip hop, mambo, waltz, quick step, krump, cha cha, swing, jazz, and contemporary (ok, I realize those last two aren't really verbs) their way into our hearts. My Season 3 highlights: Pasha, Sara, Pasha and Sara's West Coast Swing, Pasha and Lauren's Transformers hip hop, Neil and Sabra's table jazz dance, Danny and Lacey's mambo, Pasha and Lacey's mannequin hip hop, and of course the two guys swing dancing during the auditions.

Best New Show and Best Drama:
Damages -- Yea for FX giving us a show this intelligent and this exciting and this well-made in the summer! The great thing about this show is the characters keep getting smarter and more willing to do absolutely anything to get their way. The stakes have been ratcheted up so high that the audience feels like it's all about to hit the fan at any moment. Patty Hewes steals the show (she is being portrayed by Glenn Close, after all), but many of the other characters are amazingly fascinating--and amazing flawed--from Frobisher to Katie to Gregory to Tom to Fisk.

Funnest New Show:
Greek -- It's not the smartest show and it's probably not going to change the world, but Greek is pretty darn fun and there's nothing wrong with that. The characters are varied, interesting, and mostly likable (and many seem like people you'd actually find on any college campus). Greek is funnier than you'd expect and, on occasion, actually shows physics geeks discussing physics.

Best Show I Now Realize I Should Have Been Watching All Along:
Burn Notice -- After catching a few reruns last week, I now regret not being on the Burn Notice bandwagon all summer. The show has the "fun spy" feel of Alias and its well-utilized, often comedic voice-over smacks of Veronica Mars. Congrats to USA for finally finding Jeffrey Donovan a vehicle that showcases his talent and total hotness. And I love that this USA series is doing a season-long story arc (unlike Monk and Psych which have become terminally serial).

New Show That I Totally Respect Yet Have No Desire To Watch For Any Extended Period Of Time:

Mad Men -- Something about watching this show makes me feel yucky...which is exactly what they are going for. It's intricate, sneaky, and gorgeous. And the whole thing makes me feel fantastically uneasy, much like I imagine actually having to spend time in an ad agency in the 1950s would.

Best Character:
Cliff, Hidden Palms -- While Hidden Palms was nothing to write home about (and had possibly the worst main title sequence ever), the character of Cliff was a revelation. Michael Cassidy masterfully walked the line between devastatingly charming and possibly dangerous in a tour de force performance that transcended the series. It turned out that Cliff wasn't as nefarious as we originally were led to believe, but still, he had a knack for making bad look very appealing.

Funniest Lines of the Summer:

Cappie, Greek: "We may be puking, but the Omega Chis are not used to running on puke like we are."

Gus, Psych: "Some people are just born evil...like the kid from The Omen, the Children of the Corn, Chad Michael Murray."

Ellen, Damages: "Emily Dickinson. That bitch will say anything."

Pawn Shop Guy, Kyle XY: "Ok, easy, Veronica Mars!"

Best Unintentionally Funny Moment:

"I Don't Dance" baseball number, High School Musical 2. Ok, in my opinion, there wasn't much to redeem HSM2. Trite, sappy, rather poorly acted, etc., etc. But, I am more than willing to declare the "I Don't Dance" baseball song and dance number an instant classic. Because, I mean, what makes more sense than a boy adamantly claiming that he doesn't dance while dancing his way through a baseball game? Factor in some strong, if unintended, homoerotic overtones and this scene ranks as one of the funniest moments of the summer.

Stand-out episodes:
"Mr. Monk and His Biggest Fan" Monk -- In my favorite episode of Monk this season, Sarah Silverman (who I don't always enjoy) guest stars as Monk's obsessed fan and shows us her Monk-centric dioramas complete with a Troll doll serving as Natalie. And, yes, those are Monk's pants she's wearing...

(more to come)

Psych: The race is on!

Psych:

Wow, I was pretty blown away by tonight's episode of Psych (especially after tonight's Monk did nothing for me at all). I haven't been so excited by Psych's last few eps, but this one was really good. When Psych is on its game, it approaches some of the funniest stuff on TV (at least the TV I watch, which, well, is most of it).

Highlights:

• Gus: "Some people are just born evil...like the kid from The Omen, the Children of the Corn, Chad Michael Murray." (fantastic!)
• Shawn: "Good call on the mini bat."
• Gus's random theory that Teen Wolf has a faulty premise because if you went to high school with a werewolf, you wouldn't decide you liked him just because he was a good basketball player. "I wouldn't be lining up to sell t-shirts with 'I heart wolf!' on them."
• Gus: "I think he looks like an evil creamsicle."
• Shawn: "I'm wearing a shirt designed by a monkey coming off a sugar high."

I also really enjoyed Little Shawn and Big Shawn uniting in the memory sequence and talking about their hair. Any plot device to get Little Shawn more screen time is ok in my book because he's adorable. And I totally called Little Gus being the mystery spitballer :-)