Wednesday, July 20, 2011

SYTYCD: A Near Perfect 10

So You Think You Can Dance: Top 10 Performance Show

It's the Top 10 plus All Stars, baby! Wohoo!
  • I'll try to get it out of my system now: "PAAAAASSSSHHHHHHHHAAAA!"
  • The camera man doesn't know where to point the camera during group shots now that Ryan's gone ;-)
  • Cat is wearing a sequin-y black mini dress (silver at the bottom) with short sleeves, paired with long, very straight hair.
  • The judging panel: It's Doogie Howser! Neil Patrick Harris will be holding down the fort, along with Nigel and Mary.
  • Each of the Top 10 will dance with an All Star and do a solo.
 Marko with Chelsie (Jason Gilkison samba):
  • The featurette: It's CHELSIE HIGHTOWER! This is exciting. Lol, Chelsie kicked Marko in the face a few times. 
  • The dance: It's going to be hard for Marko to not get completely upstaged by Chelsie here. He's got to make sure it doesn't look like Dancing With the Stars. To that end, they try to give Marko a few little solo sections so we have to pay attention to him, and he did seem to be doing a pretty good job. And he got a kiss from Chelsie in the middle. 
  • The judging: Neil says it was amazing and dirty. Neil: "She does that scissor kick around your face; I would have kissed her too by the end of it." Neil says, "Well played." Lol. Mary shrieks that Marko is the real deal, and she's so worked up that her earring fell off. She says his samba action was absolutely amazing. Mary: "Congratulations. You're something else, kid!" Nigel says although Marko wasn't dancing with Melanie, he didn't lose any of his chemistry. Cat: "Chelsie Hightower's like a James Bond villain."

Sasha's solo: To Duffy. Sasha's dancing is cool--it's a little weird and quirky, almost in a slightly Billy Bell kind of way. I like how she doesn't rely completely on spins and splits and the more "trick" style moves.

Jordan with Brandon (Dwight Rhoden and Desmond Richardson contemporary):
  • The featurette: It's cool to see Brandon again; I haven't seen much of him lately. This routine is difficult. Jordan's lucky to draw contemporary two weeks in a row. 
  • The dance: Brandon is shirtless and wearing some really skinny jeans. And of course Jordan's showing off her superb splits and leg kicks. Honestly, if this were a leg kick competition, she'd have it in the bag. As for the other aspects of the dancing, I think Brandon's got her beat. 
  • The judging: Mary says it's so great to see Brandon on the stage. Mary thinks Jordan was fearless tonight and says that Dwight and Desmond played to all her strengths. Nigel says that Jordan doesn't have many weaknesses, so Dwight and Desmond had the freedom to choreograph whatever they wanted. Neil couldn't take his eyes off her.
Jess' solo: Argyle sweater vest and khakis. That tells you about all you need to know. (Aside from the fact that Jess displays an impressive amount of control coming out of his pirouettes.)

Tadd with Comfort (Chuck Maldonado hip-hop):
  • The featurette: Hmm, another favorable pairing of dancer and style. Comfort is supposed to be "gutter fabulous" or something. 
  • The dance: Not sure they wear tight plaid pants in the gutter. Not to mention the blue hair streaks, but whatever. I've seen hip-hop routines on this show that I liked better, but I've seen worse too. Tadd is doing a good job of keeping up with Comfort; he might be doing the moves better, actually. I'm pretty impressed with him here, actually. 
  • The judging: Nigel says it was very, very, very fast. Nigel's impressed that Tadd can pick up and remember choreo as well as he can, since that's not something b-boys usually do. Nigel suggests that Tadd out danced his All Star. Neil agrees that Tadd out hip-hopped Comfort, which is not easy to do. Mary complains that Nigel's been on her case all night, and Cat responds, "He's on the end; just push him off. He's on a wheely chair." Mary says the routine didn't stop, and neither did Tadd.
 Melanie's solo: She's dancing to a really mellow version of "You're the One that I Want," and I never want it to end. It's been a really long time since we've seen her dance solo.


Mitchell with Melody (Tyce Diorio Broadway):
  • The featurette: Eesh, Tyce is annoying. It's been a while since I've mentioned that, I think, so I'll go ahead and reiterate it. 
  • The dance: This is interesting because I've never seen Melody dance before; I started watching in Season 2. Mitchell's doing a pretty good job of selling this (I'm actually somewhat pleasantly surprised with his performance level), but the choreo/routine is nothing especially wonderful/memorable. 
  • The judging: Neil didn't quite get that much at all. He didn't get the airplane-ness of it. He says it was "disjointed" and not incredibly well thought out! HA! NPH must have heard that a sure-fire way to win over SYTYCD fans is to dis Tyce. Mary thought it was fun, but a bit overdone. Nigel thinks Mitchell "over egged the pudding" (like Ryan last week) and should think more about style than about over-smiling and making things too big. Mitchell is classy and compliments Tyce. 

Ricky's solo: He's got (his own) big shoes to fill after last week's dance for his life solo, and he pretty much pulls it off again--very good pirouettes. The biggest problem was that he ran off-stage after the solo, instead of going to stand with Cat to pimp his phone number. She gets him in line though, so it's ok.


Clarice's solo: She's in a bikini top and short-shorts, with a strange hunk of tulle sticking out from her hip. I somewhat liked the dancing though; it was peppy.

Caitlynn with Pasha (Miriam Larici and Leonardo Barrionuevo Argentine tango):
  • The featurette: Oh, Pasha... He's so beautiful. 
  • The dance: Props to Caitlynn for even getting me to look at her at all here. I think her tango kicks could be a little crisper, but by and large, she looks pretty good. There are some fancy lifts that she handles very well. 
  • The judging: Cat: "No on Blue Steels like Pasha." Mary gives it a standing ovation. Mary says it was the first Argentine tango of the season, and it was really worth the wait. Mary says the passion Caitlynn showed was more real tonight than in any other number--well, no kidding! She was dancing with PASHA! Nigel says that tonight she was a woman and far sexier than ever before. He liked that she didn't over perform. Neil thought it started off a little slow, but then he got totally hooked in. NPH thought the were very in sync with each other, and this is the first time he's ever wanted to learn the Argentine tango.
 Mitchell's solo: White shorts, no shirt. Dancing to a John Legend song that reminds me of The Game. And spent most of the solo trying to remember why the song reminded me of The Game and didn't pay that much attention to Mitchell's dancing. It looked pretty good though.


Sasha with Twitch (Christopher Scott hip-hop):
  • The featurette: I think we've missed an great opportunity to do a Sasha/Pasha number, but maybe some other time. Oh, I adore Twitch. He's just so inherently likeable. (And my annual apology: I know it's tWitch, but I can't stand how weird that looks when I type it.) Twitch: "At the beginning, we were lacking love. At the end, we were lacking breakfast." 
  • The dance: Wow, Sasha is killing it up on that table. This is a rather slow and groovy hip-hop, but it's awesome. Wow, that routine/performance was so good. Twitch is awesome and Sasha totally was too. 
  • The judging: Nigel make a joke about cornflakes that is so off-color that even he can't believe what he said. Nigel thinks this is the first time he's seen her with chemistry with her partner, and she really nailed that routine from beginning to end. Neil thinks it was the best routine so far; it was spectacular. Neil was blown away be how in sync they were. Mary says she needs, for various reasons I won't bother to relay, to call the sheriff, the fire department, and the paramedics (because she's ready to have a "hot attack"). Mary: "As much as I love Twitch, I loved you doing that number."
Jordan's solo: Didn't we already see Jordan's solo? No, I guess I'm thinking about the partner routine. She pulls out some nice pirouettes too, straight into a jump-to-ground, which she landed very lightly and flawlessly. I like how she tried to steer away from the splits and kicks a little, and some Lykke Li never hurt anyone.

Jess with Kathryn (Stacey Tookey contemporary):
  • The featurette: Kathryn! There are lots of lifts. Kathryn: "He's actually a lot stronger than he looks." Stacey: "Kathryn can practically levitate, so if he can't lift her, we're in trouble." 
  • The dance: Ok, Kathryn is extraordinary. I always remember that, but somehow I'm still always surprised by how good she is when I watch her. I guess I'll be going to see Step Up 4. Anyway, Jess does some nice jumps/kicks/flips stuff, which is good because he's in danger of being upstaged by Kathryn, in my opinion anyway. 
  • The judging: Neil thinks it was an extraordinarily designed performance by Stacey. Neil thinks that sometimes Jess' face is a little muggy, which turns people off, and that's bad because he's an amazing dancer. Neil liked this one because the routine gave him less opportunity for mugging. Mary thinks it was her favorite piece from Jess this season. Nigel really liked the piece and Jess in it.
Tadd's solo: 10 seconds in, and I'm already way more impressed than I was by his whole elimination night solo last week. Although this one may have petered out a little. Eh, I don't know; I'm not good at rating b-boy solos.

Melanie and Pasha (Jason Gilkison Viennese waltz):
  • The featurette: It's a two Pasha night! If only we could always be so lucky!! In this routine, Pasha's given up, but Melanie is encouraging him. 
  • The dance: Pasha has given up to such an extent that he can't even bring himself to button up his shirt. Melanie's dress is gorgeous! As is their dancing, of course. Very soft and fluid and lovely. Pure grace. 
  • The judging: Pasha looks like he should be on the front of a romance novel in that getup. Mary: "I'm just jealous that he got to dance with him." Mary says that it looked like Melanie's feet never touched the ground and she was just floating across the stage. She says Melanie does lifts like it was something she was doing all her life. Nigel says it was beautiful flow of movement and a master class in lifting and lift technique. Nigel says the reason choreographers keep using her as the rock because she's a solid, fantastic dancer. NPH says Mel looks like she's from that past, but dances like she's from the future. He says she's beautiful and it seems like it comes from the inside as well as the outside. She's easily his favorite dancer on the show. 
Caitlynn's solo: She also has a weird bunch of something coming out of the side of her short-shorts. She sometimes falls out of her pirouettes, so she solves that problem by jumping out of them tonight. Pretty good.

Ricky with Allison (Tyce Diorio jazz):
  • The featurette: Ricky is star struck by Allison, which earns him points in my book. This routine is about a bad dream. There's an easy joke to make here involving Tyce's choreo and a bad dream, but I won't go there. 
  • The dance: Allison = awesomeness. Ricky has a weird belt-like thing of red rags around the back of him. The routine is intense, and they're both so good technically that they're doing some pretty impressive stuff with it. I really like it. 
  • The judging: Nigel loved this kind of choreo from Tyce. He doesn't think Ricky out-danced his All Star (because Allison is awesome) but he thinks he matched up to her. NPH thinks Tyce went for a bold move here by giving Ricky a mature routine to do, and Ricky pulled it off really well. Mary thought this was ridiculously dark, and she thinks that Ricky really brought it. Raw, reckless and spectacular. 

Marko's solo: Here's another dancer we haven't seen solo in ages. Nice back flip to start things off, plus some nice leaps and pirouettes and things.

Clarice with Robert (Nakul Dev Mahajan Bollywood):
  • The featurette: Robert has to be the Bollywood All Star? I was never the biggest fan of Robert, but I feel a bit sorry him now. Robert looks more manly than in the past, I'd say.
  • The dance: My feelings of pity for Robert having to be the Bollywood All Star just grew tenfold when I saw his sparkly purple parachute pants. At least they dunked Rob in some tanner to make him look somewhat Indian. This routine was way better than the Bollywood number that Nick and Iveta had to do earlier this year. And Clarice and Robert did a really good job with it. I do, however, now feel like we're throwing kisses into dances just for the sake of putting kisses in dances. 
  • The judging: NPH says he hasn't really connected with Clarice yet this season, but he liked her in this one. Mary says it was fast and intricate and hard. Mary thought it was perfect for Clarice, and she doesn't think she could have done it any better. Nigel agrees that it was perfect fit. Exhilarating.

The wrap-up:
  • This was another week where they seemed to put most everyone in a situation where they could excel. Consistent greatness might get a little boring after a while, but tonight I rather enjoyed it.
  • There will be a whole new batch of All Stars next week. I like that formula, because that means we'll get to see more dancers, which is exciting because I love so many of them.
  • There's a problem with the play back, so Cat has to line all the dancers up on stage and read their names and numbers really fast, which she handles like the pro she is.

My favorites:
Sasha and Twitch's hip-hop
Ricky and Allison's jazz
Melanie and Pasha's waltz

In trouble: Mitchell. Maybe Clarice.

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