Premiere Watch '09: FlashForward

FlashForward: "No More Good Days"

I liked this pilot. Sure, it was trying awfully hard to be Lost at times, and some parts worked better than others. For example, I wasn't particularly infatuated with any of the characters. I'm sure we'll get to know more about them and hopefully grow to like them more in future episodes. It would have been difficult for a show to both showcase its characters and establish this kind of high-concept premise all in the pilot episode. (Not that it's impossible--Lost was able to do it, and I think that Life on Mars did a pretty good job of it last year.)

But I did find the high-concept premise to be really interesting. Everyone time-hopping to the future all at once!? How strange and interesting. It actually seems a bit like a Fringe plot, but I like that it's this one strange occurrence that we're going to deal with in this series, where as Fringe has a never-ending parade of weird events.

One good/bad thing about the FlashForward pilot was that it made me feel very, very nervous. Like Lost, I think FF has the potential to be a very interesting show, but it's not exactly low-stress entertainment. I'm interested to see if FF begins to work in some occasional comedic relief (like Lost has done masterfully), because watching it might give me an anxiety attack if it doesn't.

Play-by-play:

• So apparently everyone blacking out at the same time can cause some major problems.
• Penny has no accent!
• Those balloons are awesome!
• The cinematography looks Lost-esque. Be on the look out for Jacob. I would not be at all surprised if he's behind all this.
• OMG, for a second, I thought the guy talking about his Marine daughter was Richard Hatch!
• Demetri: "I cannot dance to 'Islands in the Stream'! I will never live it down."
• I like the rapid-fire jumping around from person to person to this jazzy music.
• The pickup truck flying through the air wasn't a sign that they needed backup?
• Oh no! There go the balloons!
• Charlie dreamt that "there were no more good days." That's not good.
• Where'd the kangaroo come from? Is that like the polar bear on Lost? Six years from now, are we still going to be wondering where the kangaroo came from?
• Oh geez, airplanes!
• "People probably died walking up the stairs."
• Wow, Mark is perceptive for noticing a calendar and putting together that his consciousness jumped to the future. Well, maybe not--everyone else seems to have noticed a calendar too.
• They jumped to April 29, 2010, 10 p.m. So can there be a second season to this show or does it all become a mute point after April 29?
• Go Demetri! Even with all this going on, he still managed to haul the blonde into the station.
• The guy who saw himself in London during the flash looks familiar. (Holy cow, how mortifying is it to admit that I think I recognize this guy--Lee Thompson Young--from The Famous Jett Jackson? Oh wow.)
• That was not a very realistic looking view of London from the window. It kind of looked like a cartoon.
• OMG! Big Ben's on fire! Put it out!!!
• Convenient that people were undergoing brain scans at the time.
• Uh oh. Demetri saw nothing.
• Aww, this poor dude was in the bathroom. That's embarrassing.
• So who thinks Mark knocks this girl up? She did laugh at his "sweetheart" crack.
• They're going to need a really big web site if everyone's posting their visions on it. I bet someone's already started the web site anyway. Twitter probably crashed from all the traffic.
• You don't always dream when you're asleep, do you? So wouldn't it be possible that someone who saw nothing was asleep?
• So because he's alive in April, does that mean that Bryce wasn't going to kill himself anyway? Or him being alive in April proves that the visions were always supposed to happen? (Oh geez, it feels like we're plunging into the debates we've already had for Lost.)
• Aaron's daughter is Kris Furillo from Wildfire!!!!!!!!!!!
• Whoa, this guy's daughter was alive in the flash forward. That's strange.
• If Olivia (Penny) didn't want to talk about what she saw, she probably shouldn't have asked Mark what he saw. That kind of invited a follow up question.
• I know who the guy Olivia was with was! He was on Swingtown.
• And there's the friendship bracelet. Never has a friendship bracelet seemed so ominous.
• This FBI girl has no life. She's been watching hours and hours and hours of surveillance tapes all day long? Can't anyone else help her with this? And how did she spot that guy? Crazy good eyes!
• I'm very unnerved by all of this.

Premiere Rating: 7.5/10

Premiere Watch '08: Life on Mars

Life on Mars: "Out Here in the Fields"

I've never seen the original British version of Life on Mars, so I can't draw any comparisons between that and the new American remake (if they ever make an American Shameless, however, I will be all over that, trust me). But I can say that, as a stand-alone entity, I genuinely enjoyed the new American version.

The show's plot is intriguing (which, sadly, does not go without saying when talking about TV pilots), especially now that we know that Maya's safe in 2008, but Sam's still stuck in the past. Why's he still there, and how does he get home? Would getting shot in the past really wake him up in the future? Why's he even there in the first place? Is he really in a coma or did he time travel or is he crazy?

My understanding is that the British version left the show's whole concept as more of a mystery, where as in the American version seem to suggest that Sam is in a coma and the 1973 world is all in his mind. But, I guess it isn't all wrapped up in a box yet, because it seemed like his actions in the past did change the future, and how could that have happened if it was all in his mind? Unless Maya ending up save in 2008 and his exploits in 1973 were in no way connected. Plus, that is one extremely detailed world to have been conjured up in someone's brain. Yeah, now that I think about it, I guess there's plenty of mystery still left on the table here.

The show's cast is strong. Now that Men In Trees is defunct (whaaaaa!), it's nice to see Jason O'Mara (MIT's Stewart, the publisher) in a new vehicle. Hopefully, ABC will be kinder to this one and not jerk it around from time slot to time slot and force it into lengthy hiatuses. Also, as devotee of The Cosby Show and A Different World in my childhood, I find it just awesome to see Lisa Bonet back on television. And I remember Gretchen Mol being dubbed "the next 'it' girl" years back, but I've never seen her in anything, so it's nice to finally get that chance. (Plus I'll admit that I already like her just because she named her son Ptolemy.) Oh, and the bartender was Mike Starr, who played Kenny on Ed! I hope he gets in some more scenes in the future!

One thing I really liked about this show was that modern day detective Sam really cared about the 4th Amendment rights of criminal procedure and the standard rules of police conduct--and the lack of adherence to those things in 1973. I found his advocacy for getting people lawyers when they ask for them and procuring warrants to be downright refreshing, because a lot of the time on TV shows (even those set in the present), policeman don't give a crap about any of that stuff (Without a Trace used to drive me nuts with its rule-bending). Unfortunately, it looks like Sam is going to have to adjust to the standards of 1973, because he doesn't seem to be having any luck in getting 1973 to conform to his.

Also, the show has a really fun '70s soundtrack.

Other thoughts and highlights:

• Sam and Maya were having kind of a heavy conversation while in the midst of speeding to crime scene.
• Well, it would be convenient for alibi purposes to have an identical twin.
• If he'd been listening to another song when he was hit by the car, would he have gone back to another decade?
• Well, at least he already seems to have a life carved out for him here in the 1973.
• The police station looks kind of shady...and grimy.
• He is not making the best first impression here in 1973... He's coming off a little crazy and ornery.
• No wonder girl cops didn't get any serious cases; Annie looks pretty ridiculous in that outfit (esp. with the hat).
• Ha, I was going to say: they showed math on TV in the 70s? Boring.
• Sam: "Who dreams about being yelled at by a closet feminist in the 1973 Policewoman's Bureau?"
• Wow, in the 70s, when the cops were in a hurry, they jumped over desks!
• Really creepy scene where it looked like Sam might shoot the kid to keep him from abducting Maya in the future. Luckily, that entire bad situation seems to have been diverted since Sam could hear Maya tell him that she's okay. So, did Sam's talk with the kid keep him from growing up to become an abductor, and that's why Maya's safe now?

This pilot episode makes Life on Mars one of three new shows (with Fringe and Privileged) that I actually wanted to see more off after the first episode.

Premiere Rating: 8.0/10

(photo: ABC/Life on Mars)